Sport (and its various mediations) perhaps best expresses that "interdimensional" experience of Being-in-the-City within its logic, offering at once in the same "subjectivity" both flâneur (player) and surveillance functions (diagrammatic x's and o's, archival game video).
"Whatever is not captured by resolution is invisible," as Hito Steyerl suggests, but in professional sports at least, decisions of 'truth' are still being made upon this invisibility through instant replay — decisions complicated not only by resolution but also by frame rate and the interstices between 'stills' of a moving game.
When a sport with pronounced flight trajectories such a basketball is shot for television in 4:3 ratio and then displayed in a stretched 16:9 widescreen format, the paths look very distorted compared to what one is used to seeing in more native televisual or live-viewing contexts. This isn't necessarily true for all curves in the game. Our ability as TV spectators to "adapt" to the "distorted" or "compressed" athletic bodies at play (and their "newly-béziered" contours) is relatively quick and seamless, as is adjusting to the new shape of the three-point arc relative to the rest of the lines which describe the basketball court.
But the flight path of the ball upon being shot — particularly from deeper distances with their longer trajectories — remains stubborn to such perceptual recalibrations by the televiewer. The arc of the shot appears flatter and in turns generates a foreshortening, particularly to the most experienced eyes. The "true" flight of the ball, when seen in the elongated 16:9 widescreen format, continually appears as if it will undershoot the target before ultimately swishing through the net.
Not subject or object, then, but traject and aspect — new relational opportunities for the visually uncanny.
NBA: the ultimate manufactory of plastic.
motorized plastic, flavoured plastic, plastic with hooks, translucent plastic, stacey augmon plastic!!, consistent plastic, synesthetic plastic, narrative plastic, timecoded plastic, erotoplastic, etc.plastic . . .
Twilight in the Eyeholes, or, How to Philosophize with a Hammer
"Weary thought, incapable of maintaining itself on the plane of immanence, can no longer bear the infinite speeds of the third kind that, in the manner of a vortex, measure the concept’s copresence to all its intensive components at once. It falls back on the relative speeds that concern only the succession of movement from one point to another, from one extensive component to an other, from an idea to another, and that measure simple associations without being able to reconstitute any concept."
(Gilles Deleuze, What is Philosophy?, p.214; quoted by Isabelle Stengers)
"Plug in, mecha butterfly kraftwerker!"
(sportsbabel, april 2012)