Technically Speaking

technical

A basketball player gets whistled for a technical foul and a free throw is awarded to the other team as a penalty. Almost always outside the normative range of what constitutes a foul in the game — actually making bodily contact with an athlete on the opposing team — the technical is precisely what it says it is: a technicality that has been broken in the juridical structure that is the basketball league proper, most often a behavioural infraction against what is considered good sportsmanship. Some of these juridical prohibitions are universal across leagues, while some are unique to the league itself.

(Usually in the courts of mainstream civil society, it is one who is declared not guilty who gets off on a technicality. Not so in basketball, in which the technicality is always on, always assigned as a penalty against which there is next to no opportunity for recourse or exoneration.)

A basketball player steps up to the line to shoot the free throw. Though it is meant to be an award or restitution for the technicality that has been broken, it is actually quite a difficult shot. This is because the restitution exists somehow outside the normal context of play: the shooter goes to the line alone while the rest of the players must stand and watch out at midcourt, unlike the regular free throw situation in which players from each team line up in staggered formation along both sides of the painted key to rebound the potentially missed shot.

But there is no rebound to be had with the technicality. Again it exists outside of game play, which is to say it exists outside of the game's historical time. And further, it exists outside of its usual relations: while not having the players line up for a rebound is meant to be less distracting for the shooter, their absence is actually quite viscerally felt, a denuding of the multiple body's co-composition that leaves the one shooting very naked and alone.

So on the one hand a player gets whistled for a technicality, but it is paradoxically the one who has been offended (or their agent) who will face the intensity of exposure in exacting a restitution. And the purportedly cybernetic technique of shooting free throws reveals its limits in turn: it is the messiness and chaos of co-present bodies — even if they are competitors — that lubricates this technical machine towards its successful realization.

sport and political technology

post-discipline

resurfacing, re: surfacing –> once again here's what the post-disciplinary enclosure looks like . . . all that is required now is for these technologies to get "better" and be merged with irregular image flows such as with public surveillance systems in London or Chicago . . .

sport and political technology –> panhaptic, simulated:

- multiple cameras 'speaking' to one another
- markerless motion capture
- extrusion of x,y,z coordinates to create 3D image
- timestamped events
- unique person IDs
- historical databases of typical body movements
- merging of 3D image with statistics
- expected vs. actual outcome analysis
- econometric querying

all in for contagion. (biogram/biopsy)

all in for contagion

you need communal excitement.

basket

Petros Efstathiadis
Basket
2009

Rafe Bartholomew:

"[Pete] Axthelm's phrase 'unique communal excitement' is perfect. It captures the social aspect of basketball and why many of us love the sport. Plays like Ginobili's between-the-legs pass or Parker's U-turn remind us of the best times we've had on a court, when for a half or a quarter or even one possession, we entered mind-meld territory with our teammates, executed pretty give-and-go handoffs, and spun off defenders to catch lob passes and finish them for layups. For 99 percent of us, nothing we have ever done on a basketball court remotely compares to what Parker and Ginobili do, but we have felt something close to what they're feeling on those perfect possessions. That emotional charge you get when you and four teammates are truly clicking — it scales down to your playground or your YMCA or your high school gym. The Spurs don't just achieve the sublime; they allow us to share in it" (emphasis added).

PEDiatrics

nba-vitamins

Endocolonization. What is appropriate and inappropriate in terms of ingested performance enhancers for the athletes of today and tomorrow? The paradox is born in the stars but finds greater resolution under the watch of the medical gaze. Modern sport is still the illusion of truth, after all.

_____

(speaking of medical gazes, thanks to MD for spotting this . . . get it? :{ )

help side

help side
[help side defence,
or the tactile recalibration of peripheral vision,
or the hands of the clock at 13h50 -- just past high noon.]

 

left hand

"The faster we go, the more we look ahead in anticipation and lose our lateral vision."

(Paul Virilio, The Administration of Fear, p.36)

 

right hand

"Whiteness as blindness, as third type of blindness in which one sees with one's eyes open to the world, yet sees nothing. Not the absence of light and the consequent darkness that renders one incapable of seeing, nor the total intensification of light on the retinal receptors such that one is blinded by its sheer intensity and has a visceral reaction, which forces a closure of the eyes to get relief from the pain (as when looking at a sunny sky after being in a dark room). But a visible sightlessness that Antony Gormley helps us perceive, a third type of blindness in which one listens and touches, in which objects emerge from the white fog of chaos only at the penultimate moment of proximity."

(sportsbabel, june 2012)

 

a recursive game of prisoner's dilemma

The problem is not, as Bertrand Richard suggests in conversation with Paul Virilio, "that we still want even more speed and instantaneity." It is rather that we cannot afford to slow down, that we do not want to be left behind. The problem of speed thus becomes the inverse of the problem of exodus, except that we are describing an exodus from the hyperlinearity of time.

And as a question of praxis, we borrow from Paolo Virno to suggest a gradual move from a determined problem: keep pace or fall behind, to a totally different problem: how to realize the tempos available or at hand and to experience forms of self-expression that perhaps belie these temporal qualities and/or release differential energies.