cyborgs, plastic

VP

Breath. When we talk about cyborgs in professional sport, we never talk about the referees who carry whistles in their mouths the entire time to substitute signal for voice: a running-with-the-play, into an optical perception of an infraction and its corresponding sympathetic nervous system response, into a spasm of the lungs and a burst of air expelled through the prosthetic whistle.

SJ

Buffer. LeBron James reverse dunking or hitting a three is a factual event; everything else in the televised NBA game is a narrative event, with the referees being a soft gelatin that connects the two. There is an intermediate or fractal quality to this juridical-political-narrative apparatus, though: note the way that former referee Steve Javie is at the League's centralized replay centre in Seacaucus, NJ, providing a secondary and intermediate gelatin between the narrative event and the referees.

ways of seeing

ways of seeing

NFL / Jan. 3, 2017:

"The National Football League has announced it will honor John Berger during halftime of the AFC wildcard game this Saturday between the Miami Dolphins and Pittsburgh Steelers. Berger's pioneering contributions will be remembered with a 2-minute jumbotron tribute and military flyover of Heinz Field."

splitscreen personality

diagram

survey

pov

Sport (and its various mediations) perhaps best expresses that "interdimensional" experience of Being-in-the-City within its logic, offering at once in the same "subjectivity" both flâneur (player) and surveillance functions (diagrammatic x's and o's, archival game video).

an olympiad is a unit of time

olympiad

manufactory

NBA: the ultimate manufactory of plastic.

motorized plastic, flavoured plastic, plastic with hooks, translucent plastic, stacey augmon plastic!!, consistent plastic, synesthetic plastic, narrative plastic, timecoded plastic, erotoplastic, etc.plastic . . .

Linear

Linear

 

"On the surface of things, water offers us this paradox: it is at once capable of gently propagating a wavy ripple to near-infinity, and yet it is also surprisingly resilient or responsive to dramatic changes in amplitude. A peculiar elasticity, then, this distributed and complex musicality in which we-swim."

(Jock Cousteaux, Aqua Rara, p.69)