Nirvana Ago Ditty
A Dragon Nativity

Today Ranting Via
Today Raving Anti

Dignitary Nova At
Toady Ingrain Vat

Ad Organ Nativity
Avoid Gain Tyrant

Avatar Dignity On
Avatar Dying Into

Variant Dating Yo
Dating Via Notary

Tiara Vanity Dong
Avian Tango Dirty

Avidity Gonna Art!
Radio Gnat Vanity

Radiant Tango Ivy
Radiant Vanity Go (Go (Go)

Attain Angry Void
Attaining Ova Dry

Data Navy Rioting
Vagina Yarn Ditto

Radon Gait Vanity
Diva Gyration Tan

Vagrant Nay Idiot
Aviation Dang Try

for n = i
i n, i m
mi i = y
i = 5 y?
get $ for i = y
$i max max
mi max $stack $tax

echo {echo {echo {{echo
hi hi $i $i
mi y x
d(x) x hex hex
i>y>x

echo "to whom it may;"
echo "concern please consider;"
echo "this;"

this

echo "this letter of reference;"
echo "this letter of reference;"
echo "this letter of reference;"

referents and deference and
elevated reverence

and
manyfactored relevance

field facing form filling
font fetching face frilling
fast fasting feed faking
fee faring free fading

(refresh #ffffff)

echo "sir sir miss miss;"
echo "please consider this;"

for $i

echo "respectfully;"
echo "sincerely;"
or
echo "yours truly;"

if i = truly
then get $i
else die

for ($i = 1, $i <= 10; $i++);
echo {echo {echo {{echo
get get y?

[help side defence,
or the tactile recalibration of peripheral vision,
or the hands of the clock at 13h50 -- just past high noon.]

left hand

"The faster we go, the more we look ahead in anticipation and lose our lateral vision."

(Paul Virilio, The Administration of Fear, p.36)

right hand

"Whiteness as blindness, as third type of blindness in which one sees with one's eyes open to the world, yet sees nothing. Not the absence of light and the consequent darkness that renders one incapable of seeing, nor the total intensification of light on the retinal receptors such that one is blinded by its sheer intensity and has a visceral reaction, which forces a closure of the eyes to get relief from the pain (as when looking at a sunny sky after being in a dark room). But a visible sightlessness that Antony Gormley helps us perceive, a third type of blindness in which one listens and touches, in which objects emerge from the white fog of chaos only at the penultimate moment of proximity."

(sportsbabel, june 2012)

a recursive game of prisoner's dilemma

The problem is not, as Bertrand Richard suggests in conversation with Paul Virilio, "that we still want even more speed and instantaneity." It is rather that we cannot afford to slow down, that we do not want to be left behind. The problem of speed thus becomes the inverse of the problem of exodus, except that we are describing an exodus from the hyperlinearity of time.

And as a question of praxis, we borrow from Paolo Virno to suggest a gradual move from a determined problem: keep pace or fall behind, to a totally different problem: how to realize the tempos available or at hand and to experience forms of self-expression that perhaps belie these temporal qualities and/or release differential energies.

it is One thing to join under the One of the school and its team. it is also One thing to join under the One of the corporate sponsor. but it is One different thing altogether to join under the One of a god, particularly if that One god is not explicitly linked a priori with that One school and its team.

even the One of the american nation-state offers the freedom of multiple religions!

(does it not?)

chip time and fuzzy geolocation. these are the watchwords of a sport at the vanguard of control. a swarm of runners channeled for 26.2 miles down a long corridor, tagged like insects in a laboratory experiment. the clock-foot is synchronized to the clock-eye, which swarms in turn around the course of events, ticking.

touching. spools of clock-skin are spun out along the channel, spun around the city, spun across the network: not a dermal whole, as with a text or a book, but part-fibres that twitch with every passing muscular step — flayed skinny one might suggest as the weaving unfolds.

misty-eyed. the insects run and spray numbers everywhere: we know inexactly where your code is in the swarm at all times.

"Digital technologies have a connection to the potential and the virtual only through the analog. Take word processing. All of the possible combinations of letters and words are enveloped in the zeros and ones of ASCII code. You could say that entire language systems are numerically enveloped in it. But what is processed inside the computer is code, not words. The words appear on screen, in being read. Reading is the qualitative transformation of alphabetical figures into figures of speech and thought. This is an analog process. Outside its appearance, the digital is electronic nothingness, pure systemic possibility. Its appearance from electronic limbo is one with its electronic transformation. Now take digital sound: a misnomer. The sound is as analog as ever, at least on the playback end, and usually at the recording end as well (the exception being entirely synthesized music). It is only the coding of the sound that is digital. The digital is sandwiched between an analog disappearance into code at the recording and an analog appearance out of code at the listening end.

Take hypertext. All possible links in the system are programmatically prearrayed in its architecture. This has lead some critics to characterize it not as liberating but as downright totalitarian. While useful to draw attention to the politics of the possible, calling hypertext totalitarian is inaccurate. What it fails to appreciate is that the coding is not the whole story: that the digital always circuits into the analog. The digital, a form of inactuality, must be actualized. That is its quotient of openness. The freedom of hypertext is in the openness of its analog reception. The hypertext reader does something that the co-presence of alternative states in code cannot ever do: serially experience effects, accumulate them in an unprogrammed way, in a way that intensifies, creating resonances and interference patterns moving through the successive, linked appearances."

– Brian Massumi, Parables for the Virtual, p.138

the whole thing is partly inexact.

no, the code is in the miles and the sweat and the pain and the fatigue and the stretching and the training partners and the dirty laundry and the calories and the, and the, and the pantpantpanting.

and then it's in the code. after that, these alphanumerics — but more precisely, the numbers that drive the text and image — have a felt-ness of context and can mean something across the planet, mean something more than just a clinical dividuality given substance as a temporary-or-forever object of information. they can produce new intensities in turn — and call these latter human if you must.

what kinds of meanings, though, or what kinds of intensities? what kinds of affects can these numbers produce from the ocular mist?

proximal, yet missed. some programs have more of an openness than others: did playing fantasy sports or videogames ever make you want to cry?

_____

(lkl 7039: you made it look like a walk in the pahhhk.)