by Lindsay LaMorre

Two days of complete exhaustion and emotional depletion after the Boston Marathon … and I find both the desire and need to run.

I ask myself why??

Running makes me smile and has the power to change a day.
I run because no two runs are ever the same.
I run because it fills my heart with joy.
I run because success and happiness lies within.
I run to keep my mind and spirit clear and strong.
I run because I value and care for my health.
I run to be with amazing friends.
I run to be a part of an incredible community of runners that have welcomed, mentored, supported and encouraged.
I run because of the journey.
I run to embrace adversity.
I run because I can.

What was supposed to be a celebratory, joyous, and momentous event … turned into disappointment.

I ask myself why?

Was it the cowardly acts of terrorism that destroyed and deflated the whole event, manufacturing the run as completely meaningless? Was it my heavy heart for the victims who were fighting for lives and limbs? Was it the media that glorified the terror to enhance its spectacle? Or had it been something more personal, more selfish? Was it the thought of all those winter training hours suddenly deemed insignificant due to the bronchitis that had attacked my chest and lungs just days before I was to run? Was it that I couldn’t have my peak physical performance on the stage of the world’s oldest and most iconic marathon?

Maybe . . .

But the tragic events that occurred in Boston have impacted me personally and changed my perspective forever. My true disappointment laid within me … it rested in my inability to actually go back to the foundations of why I run in the first place. In the moment, I forgot to savour the opportunity and experience I was so blessed and privileged to have. Success isn't measured by a stopwatch; it's distinguished by the journey.

Explosions Sirens Chaos Panic Confusion

Why?

Within a blink, I may not have been so lucky — an opportunity lost and an experience taken for granted.

I finished the Boston Marathon.
I was with a loved one at the time of the explosion.
I was warm.
I had my belongings.
I was safe and healthy.
I was so very blessed.

I am fortunate enough to get a second chance in 2014 to revisit this question of "why?"

Running is my comfort … Boston is my inspiration.

_______________

(Lindsay LaMorre is a Health and Physical Education specialist who lives and works in Toronto. She wore bib number 10577 at Boston 2013.)

xxx

kleinian kisses need stitching
breathing, and leaking
at the seams

seems like only yesterday
you tore free
from me, in me
and me to be

xxx

come, rated as such and dated as much
blue breath whispers
sizzzling
time written flee

xxx

seems extreme
this veering theme

xxx

explosive dreams need sequencing
mines stuttering cuts and pasting
and stitching
ocular gauze
visibly

xxx

three stitches or less
by exxxtension
impulsive tears by the tens
in another frame of mine

images of thought lying tattered
knead breath, defibrilly

_____

(for all the gadflies and barflies.)

(the following is based on a true story)

"The gestural body is a moving body, and is thus always already a political one as well. The logic of skin tectonics suggests that such a moving body will never be fully captured by the tightness of its spectacular skin, for there will always be a slippage between integumentary layers. And it is this slippage that constitutes the contemporary zone of opportunity, of resistance, and of indifference."

(sportsbabel, february 2010)

- - -

"Not so much pregnancy as an affirmative autonomy, then, but a soapy, bloody bubble given breath-between-two, before being blown back inward upon itself and coming out whole — propelled right back down into the throat of the blower, suffocating speech-potential ever so perceptibly as the newly-dawning subject is in-formed."

(sportsbabel, june 2012)

dyed red, burned bubbbling

It is damp, and a long march is about to begin. It has been thought about, planned and strategized for quite some time, the body has been prepared, and an imagined or dreamed conviction has set in resolutely — this can be accomplished.

Are we describing here the marathon runner who has trained and tapered and sweated all season, resolutely, or the political subject in emergence who seems to be stretching limbs and tensors one final time before the report of the starter's pistol shatters the intense edginess that hangs over the assembled hordes?

A skin tectonics is a slippage of sorts. Many sorts, many skins. Many potential frictions, shears, tears, bubbles and ruptures. The marathon runner teaches us that once the race begins not all variables can be controlled: sometimes the tectonic shifts have a logic of their own that may in-form identity on the fly. Bloody bubbles may form that challenge any prior idea of a quantified outcome to the process.

But the marathon runner may also teach us that these goals are not end-points but rather imagined inflections within process. Pain affectively calculates pain, just as pain remembers pain. We are newly informed through our in-formation, imprecisely. As such, this can be accomplished may take on a new meaning, maybe a very dramatic and affirmative new meaning that cannot be measured against the clock of the foot of the eye. Nor are intensities ever perceived in this way to begin with.

Bloody, potentially, the pain is embraced and the journey is completed — buoyed by the energetics of countless others. Somehow outside of historical time. This is the real story that will be told around campfires for years to come. And it's a true story.

In turn, perhaps the emerging political subject teaches us that these painful bubbles can be considered more deliberately — as possibilities to condition the spatiotemporal and numerical regimes of the contemporary moment. Perhaps this is the story that will be told someday.

But the questions remain: Whose goal are we considering? Whose body, distributed yet locatable? Whose pain?

Genuflection. The mechanical fatigue of tendon, muscle, bone is distributed among the masses, and surgery remains predominantly at level of the skin, plastic-Like.

chip time and fuzzy geolocation. these are the watchwords of a sport at the vanguard of control. a swarm of runners channeled for 26.2 miles down a long corridor, tagged like insects in a laboratory experiment. the clock-foot is synchronized to the clock-eye, which swarms in turn around the course of events, ticking.

touching. spools of clock-skin are spun out along the channel, spun around the city, spun across the network: not a dermal whole, as with a text or a book, but part-fibres that twitch with every passing muscular step — flayed skinny one might suggest as the weaving unfolds.

misty-eyed. the insects run and spray numbers everywhere: we know inexactly where your code is in the swarm at all times.

"Digital technologies have a connection to the potential and the virtual only through the analog. Take word processing. All of the possible combinations of letters and words are enveloped in the zeros and ones of ASCII code. You could say that entire language systems are numerically enveloped in it. But what is processed inside the computer is code, not words. The words appear on screen, in being read. Reading is the qualitative transformation of alphabetical figures into figures of speech and thought. This is an analog process. Outside its appearance, the digital is electronic nothingness, pure systemic possibility. Its appearance from electronic limbo is one with its electronic transformation. Now take digital sound: a misnomer. The sound is as analog as ever, at least on the playback end, and usually at the recording end as well (the exception being entirely synthesized music). It is only the coding of the sound that is digital. The digital is sandwiched between an analog disappearance into code at the recording and an analog appearance out of code at the listening end.

Take hypertext. All possible links in the system are programmatically prearrayed in its architecture. This has lead some critics to characterize it not as liberating but as downright totalitarian. While useful to draw attention to the politics of the possible, calling hypertext totalitarian is inaccurate. What it fails to appreciate is that the coding is not the whole story: that the digital always circuits into the analog. The digital, a form of inactuality, must be actualized. That is its quotient of openness. The freedom of hypertext is in the openness of its analog reception. The hypertext reader does something that the co-presence of alternative states in code cannot ever do: serially experience effects, accumulate them in an unprogrammed way, in a way that intensifies, creating resonances and interference patterns moving through the successive, linked appearances."

– Brian Massumi, Parables for the Virtual, p.138

the whole thing is partly inexact.

no, the code is in the miles and the sweat and the pain and the fatigue and the stretching and the training partners and the dirty laundry and the calories and the, and the, and the pantpantpanting.

and then it's in the code. after that, these alphanumerics — but more precisely, the numbers that drive the text and image — have a felt-ness of context and can mean something across the planet, mean something more than just a clinical dividuality given substance as a temporary-or-forever object of information. they can produce new intensities in turn — and call these latter human if you must.

what kinds of meanings, though, or what kinds of intensities? what kinds of affects can these numbers produce from the ocular mist?

proximal, yet missed. some programs have more of an openness than others: did playing fantasy sports or videogames ever make you want to cry?

_____

(lkl 7039: you made it look like a walk in the pahhhk.)

attn:

natality?

yin yan
tail tail
tiny lan lit

a y/n ail.

i alt ny
tan anal it
natty
taint, tit
nail tna nitty

aint any latin
lint anti italy

~
NO. NOT IT. STOP. PLI-NATAL, PLS.
~

impulsion?

i/o

i plus us
minus u (plus u)

ou

moi plus nous
moins il ou L (plus lui)

oui oui

sun sin loins (sí)
opium oil nip
spumoni plum sip
spin spin slip

slip
snip snip lips

(i'm)pulsion

~

i plus iii
minus Y
        minus pms-ism
                minus simstim ip pin
                        politY

pulmón-natal
. . sssss . . . .

iou

my soul alit
                                                in tailspin
not simply an

(i'll)usion