Light Cycle Inscription

spectacle bank

The marathon course is drawn, inscribed within the established grids of an urban core. New barriers are created, temporarily cutting off certain flows (cars, bicycles, pedestrians) in order to facilitate others: a gated conduit for the gaited competitors who will run on this crisp gray morning.

This cut creates a new surface, or perhaps we can say it multiplies surfaces — it is surfacing, actively producing itself in the proliferating striations of the new territory. Perhaps we can say it is for security, or perhaps we can say that security offers the alibi for a folding of spectacle upon itself, the intestinal guts of vectoral capitalism turned outwards as if Lyotard's great ephemeral skin revealing the shit that really makes the machinery slicken.

Glide then, runners: extend your energetics into this libidinal surface as you race to that cloaca called a finish line. The light cycles of sponsorship precede your motorcade at the flanks, both shiny and festering with their spectacular repetition and insatiable appetite. But remember this digestive cookie from Guattari as footstep and breath connect to eyes and stomach: "It's on this level of investments of desire that there are reserves of capacity to express the revolt."

Accelerata: Sixteen Theses

The Acceleration Tour

1. Whether or not one understands time as unfolding in a linear fashion is immaterial; what matters is that experience and connectedness unfold along multiple and interweaving time signatures.

2. It is the time signature which produces affects, not time itself.

3. A collective energetics remains unevenly distributed. Nonetheless, its collectiveness always remains impressive, inspiring and humbling.

4. Dehabituated rhythms and changed or differential spatial parameters offer an invitation for novel gestural responses to the artwork.

5. When movement moves its way into the "aesthetic experience" proper, it continues to want to move, this time with the artwork, co-composing with it, contouring and creating with it.

6. It is not so much fatigue that one initially notices upon arrival at an artwork, but rather an interference of rhythms between runner and work, which thereafter gradually begin to harmonize or compromise. These resonances are of immediate interest in an aesthetico-ethical sense.

7. Habit can have unrefined pathways; one of these concerns its tempo.

8. Bodies are not "ideal", and thus neither should goals be. We understand these both in an affirmative sense.

9. The outwardly prosthetic body only makes evident and explicit the co-composition of all bodies.

10. A familiar gesture, machined differently, can be more more useful than a complex gesture known only to a few.

11. We are describing here an unhygienic experience (sweat, snot, traffic, noise, topography). Which is also in some ways to remind that we have been removed from the laboratory.

12. Speed only demands a greater adeptness with contingency and the aesthetics of failure.

13. There are both inner and outer accelerations that need to be considered in developing and evaluating the program.

14. If one seeks to create a nuclear or exponential energy field, one cannot initiate the reaction at maximum capacity. Rather, the intensity must be slowly increased to avoid the risk of rupture in a very real material sense.

15. The event itself is a collective enunciation — of gesture and energy. But so long as we remain bound to the particulars of language and its transmission, this collective enunciation must retain a spoken or written dimension as well. Breath must become metric rather than simply serving to inspire and expire.

16. Theses are exhausted and replenished much like mitochondrial reactors and muscular fibres. To elaborate: they, too, have relative catalytic points, elasticities and failure thresholds in the generation of things. And they, too, may also become fuel or worm food for future becomings . . .

Dang Vanity Ratio

crutch

 

Nirvana Ago Ditty
A Dragon Nativity

Today Ranting Via
Today Raving Anti

Dignitary Nova At
Toady Ingrain Vat

Ad Organ Nativity
Avoid Gain Tyrant

Avatar Dignity On
Avatar Dying Into

Variant Dating Yo
Dating Via Notary

Tiara Vanity Dong
Avian Tango Dirty

Avidity Gonna Art!
Radio Gnat Vanity

Radiant Tango Ivy
Radiant Vanity Go (Go (Go)

Attain Angry Void
Attaining Ova Dry

Data Navy Rioting
Vagina Yarn Ditto

Radon Gait Vanity
Diva Gyration Tan

Vagrant Nay Idiot
Aviation Dang Try

Prekaryat (Ltd Inc.)

ok polis

for n = i
i n, i m
mi i = y
i = 5 y?
get $ for i = y
$i max max
mi max $stack $tax

echo {echo {echo {{echo
hi hi $i $i
mi y x
d(x) x hex hex
i>y>x

echo "to whom it may;"
echo "concern please consider;"
echo "this;"

this

echo "this letter of reference;"
echo "this letter of reference;"
echo "this letter of reference;"

referents and deference and
elevated reverence

and
manyfactored relevance

field facing form filling
font fetching face frilling
fast fasting feed faking
fee faring free fading

(refresh #ffffff)

echo "sir sir miss miss;"
echo "please consider this;"

for $i

echo "respectfully;"
echo "sincerely;"
or
echo "yours truly;"

if i = truly
then get $i
else die

for ($i = 1, $i <= 10; $i++);
echo {echo {echo {{echo
get get y?

all in for contagion. (biogram/biopsy)

all in for contagion

you need communal excitement.

basket

Petros Efstathiadis
Basket
2009

Rafe Bartholomew:

"[Pete] Axthelm's phrase 'unique communal excitement' is perfect. It captures the social aspect of basketball and why many of us love the sport. Plays like Ginobili's between-the-legs pass or Parker's U-turn remind us of the best times we've had on a court, when for a half or a quarter or even one possession, we entered mind-meld territory with our teammates, executed pretty give-and-go handoffs, and spun off defenders to catch lob passes and finish them for layups. For 99 percent of us, nothing we have ever done on a basketball court remotely compares to what Parker and Ginobili do, but we have felt something close to what they're feeling on those perfect possessions. That emotional charge you get when you and four teammates are truly clicking — it scales down to your playground or your YMCA or your high school gym. The Spurs don't just achieve the sublime; they allow us to share in it" (emphasis added).