you need communal excitement.

basket

Petros Efstathiadis
Basket
2009

Rafe Bartholomew:

"[Pete] Axthelm's phrase 'unique communal excitement' is perfect. It captures the social aspect of basketball and why many of us love the sport. Plays like Ginobili's between-the-legs pass or Parker's U-turn remind us of the best times we've had on a court, when for a half or a quarter or even one possession, we entered mind-meld territory with our teammates, executed pretty give-and-go handoffs, and spun off defenders to catch lob passes and finish them for layups. For 99 percent of us, nothing we have ever done on a basketball court remotely compares to what Parker and Ginobili do, but we have felt something close to what they're feeling on those perfect possessions. That emotional charge you get when you and four teammates are truly clicking — it scales down to your playground or your YMCA or your high school gym. The Spurs don't just achieve the sublime; they allow us to share in it" (emphasis added).

I Run Because I Can

boston finish

by Lindsay LaMorre

 

Two days of complete exhaustion and emotional depletion after the Boston Marathon … and I find both the desire and need to run.

I ask myself why??

Running makes me smile and has the power to change a day.
I run because no two runs are ever the same.
I run because it fills my heart with joy.
I run because success and happiness lies within.
I run to keep my mind and spirit clear and strong.
I run because I value and care for my health.
I run to be with amazing friends.
I run to be a part of an incredible community of runners that have welcomed, mentored, supported and encouraged.
I run because of the journey.
I run to embrace adversity.
I run because I can.

What was supposed to be a celebratory, joyous, and momentous event … turned into disappointment.

I ask myself why?

Was it the cowardly acts of terrorism that destroyed and deflated the whole event, manufacturing the run as completely meaningless? Was it my heavy heart for the victims who were fighting for lives and limbs? Was it the media that glorified the terror to enhance its spectacle? Or had it been something more personal, more selfish? Was it the thought of all those winter training hours suddenly deemed insignificant due to the bronchitis that had attacked my chest and lungs just days before I was to run? Was it that I couldn’t have my peak physical performance on the stage of the world’s oldest and most iconic marathon?

Maybe . . .

But the tragic events that occurred in Boston have impacted me personally and changed my perspective forever. My true disappointment laid within me … it rested in my inability to actually go back to the foundations of why I run in the first place. In the moment, I forgot to savour the opportunity and experience I was so blessed and privileged to have. Success isn't measured by a stopwatch; it's distinguished by the journey.

Explosions Sirens Chaos Panic Confusion

Why?

Within a blink, I may not have been so lucky — an opportunity lost and an experience taken for granted.

I finished the Boston Marathon.
I was with a loved one at the time of the explosion.
I was warm.
I had my belongings.
I was safe and healthy.
I was so very blessed.

I am fortunate enough to get a second chance in 2014 to revisit this question of "why?"

Running is my comfort … Boston is my inspiration.

_______________

(Lindsay LaMorre is a Health and Physical Education specialist who lives and works in Toronto. She wore bib number 10577 at Boston 2013.)

third eye wireless

avulsion

third eye wireless
kinodermed abrasion and butterwinged
avulsion, flappping
speaker lungs echo
aqualung therapeutic
fractal police stating
ID badger maximal
expressive ism, she said

she said (she said (she said ((( ))
she said (she said (she said (she said ((( ))
she said (she said (she said (she said (she said ((( ))

or else
a Party for everyone
don't we Like this
aren't we Like this
coffee bitter blackness
poison mouth silently sewn
elastin home box set-top
setup, videodrom'd gesture
but it pulls you back in, doesn't it

third hand clueless
synthetic onion fishnet tear
torn avulsive, rent untimely
it makes you wanna cry now, doesn't it

abstract lines and butterfly kisses

knuckleball

"A knuckleball or knuckler is a baseball pitch thrown so as to minimize the spin of the ball in flight, causing an erratic, unpredictable motion. The lack of spin causes vortices over the stitched seams of the baseball during its trajectory, which in turn can cause the pitch to change direction – and even corkscrew – in mid-flight. This makes the pitch difficult for batters to hit, but also difficult for pitchers to control and catchers to catch; umpires are challenged as well, since following the path of the ball makes it difficult to call balls and strikes." (Wikipedia)

knuckleball

"Unlike a fastball, which conjures images of fire and smoke, the dipping, floating knuckleball compares to the flitting of a butterfly." (NY Times)

~

"The picture that emerges from the trajectory analysis is that a knuckleball trajectory is an example of a chaotic system. That is, small changes in the initial conditions (e.g., seam orientation, rotation rate, or rotation axis) give rise to large changes in the average lateral force on the baseball, resulting in approximately random movement." (Alan Nathan)

~

"Butterflies aren't bullets. You can't aim 'em — you just let 'em go." (Charlie Hough)

swerve

Impulsion

xxx

kleinian kisses need stitching
breathing, and leaking
at the seams

seems like only yesterday
you tore free
from me, in me
and me to be

xxx

come, rated as such and dated as much
blue breath whispers
sizzzling
time written flee

xxx

seems extreme
this veering theme

xxx

explosive dreams need sequencing
mines stuttering cuts and pasting
and stitching
ocular gauze
visibly

xxx

three stitches or less
by exxxtension
impulsive tears by the tens
in another frame of mine

images of thought lying tattered
knead breath, defibrilly

xxx

_____

(for all the gadflies and barflies.)

zed's dead, baby.

blood blister

(the following is based on a true story)

 

"The gestural body is a moving body, and is thus always already a political one as well. The logic of skin tectonics suggests that such a moving body will never be fully captured by the tightness of its spectacular skin, for there will always be a slippage between integumentary layers. And it is this slippage that constitutes the contemporary zone of opportunity, of resistance, and of indifference."

(sportsbabel, february 2010)

- - -

"Not so much pregnancy as an affirmative autonomy, then, but a soapy, bloody bubble given breath-between-two, before being blown back inward upon itself and coming out whole — propelled right back down into the throat of the blower, suffocating speech-potential ever so perceptibly as the newly-dawning subject is in-formed."

(sportsbabel, june 2012)

 

dyed red, burned bubbbling

It is damp, and a long march is about to begin. It has been thought about, planned and strategized for quite some time, the body has been prepared, and an imagined or dreamed conviction has set in resolutely — this can be accomplished.

Are we describing here the marathon runner who has trained and tapered and sweated all season, resolutely, or the political subject in emergence who seems to be stretching limbs and tensors one final time before the report of the starter's pistol shatters the intense edginess that hangs over the assembled hordes?

A skin tectonics is a slippage of sorts. Many sorts, many skins. Many potential frictions, shears, tears, bubbles and ruptures. The marathon runner teaches us that once the race begins not all variables can be controlled: sometimes the tectonic shifts have a logic of their own that may in-form identity on the fly. Bloody bubbles may form that challenge any prior idea of a quantified outcome to the process.

But the marathon runner may also teach us that these goals are not end-points but rather imagined inflections within process. Pain affectively calculates pain, just as pain remembers pain. We are newly informed through our in-formation, imprecisely. As such, this can be accomplished may take on a new meaning, maybe a very dramatic and affirmative new meaning that cannot be measured against the clock of the foot of the eye. Nor are intensities ever perceived in this way to begin with.

Bloody, potentially, the pain is embraced and the journey is completed — buoyed by the energetics of countless others. Somehow outside of historical time. This is the real story that will be told around campfires for years to come. And it's a true story.

In turn, perhaps the emerging political subject teaches us that these painful bubbles can be considered more deliberately — as possibilities to condition the spatiotemporal and numerical regimes of the contemporary moment. Perhaps this is the story that will be told someday.

But the questions remain: Whose goal are we considering? Whose body, distributed yet locatable? Whose pain?