resurfacing, re: surfacing –> once again here's what the post-disciplinary enclosure looks like . . . all that is required now is for these technologies to get "better" and be merged with irregular image flows such as with public surveillance systems in London or Chicago . . .
sport and political technology –> panhaptic, simulated:
- multiple cameras 'speaking' to one another
- markerless motion capture
- extrusion of x,y,z coordinates to create 3D image
- timestamped events
- unique person IDs
- historical databases of typical body movements
- merging of 3D image with statistics
- expected vs. actual outcome analysis
- econometric querying
Nirvana Ago Ditty
A Dragon Nativity
Today Ranting Via
Today Raving Anti
Dignitary Nova At
Toady Ingrain Vat
Ad Organ Nativity
Avoid Gain Tyrant
Avatar Dignity On
Avatar Dying Into
Variant Dating Yo
Dating Via Notary
Tiara Vanity Dong
Avian Tango Dirty
Avidity Gonna Art!
Radio Gnat Vanity
Radiant Tango Ivy
Radiant Vanity Go (Go (Go)
Attain Angry Void
Attaining Ova Dry
Data Navy Rioting
Vagina Yarn Ditto
Radon Gait Vanity
Diva Gyration Tan
Vagrant Nay Idiot
Aviation Dang Try
"[Pete] Axthelm's phrase 'unique communal excitement' is perfect. It captures the social aspect of basketball and why many of us love the sport. Plays like Ginobili's between-the-legs pass or Parker's U-turn remind us of the best times we've had on a court, when for a half or a quarter or even one possession, we entered mind-meld territory with our teammates, executed pretty give-and-go handoffs, and spun off defenders to catch lob passes and finish them for layups. For 99 percent of us, nothing we have ever done on a basketball court remotely compares to what Parker and Ginobili do, but we have felt something close to what they're feeling on those perfect possessions. That emotional charge you get when you and four teammates are truly clicking — it scales down to your playground or your YMCA or your high school gym. The Spurs don't just achieve the sublime; they allow us to share in it" (emphasis added).
[help side defence,
or the tactile recalibration of peripheral vision,
or the hands of the clock at 13h50 -- just past high noon.]
"The faster we go, the more we look ahead in anticipation and lose our lateral vision."
(Paul Virilio, The Administration of Fear, p.36)
"Whiteness as blindness, as third type of blindness in which one sees with one's eyes open to the world, yet sees nothing. Not the absence of light and the consequent darkness that renders one incapable of seeing, nor the total intensification of light on the retinal receptors such that one is blinded by its sheer intensity and has a visceral reaction, which forces a closure of the eyes to get relief from the pain (as when looking at a sunny sky after being in a dark room). But a visible sightlessness that Antony Gormley helps us perceive, a third type of blindness in which one listens and touches, in which objects emerge from the white fog of chaos only at the penultimate moment of proximity."
(sportsbabel, june 2012)
a recursive game of prisoner's dilemma
The problem is not, as Bertrand Richard suggests in conversation with Paul Virilio, "that we still want even more speed and instantaneity." It is rather that we cannot afford to slow down, that we do not want to be left behind. The problem of speed thus becomes the inverse of the problem of exodus, except that we are describing an exodus from the hyperlinearity of time.
And as a question of praxis, we borrow from Paolo Virno to suggest a gradual move from a determined problem: keep pace or fall behind, to a totally different problem: how to realize the tempos available or at hand and to experience forms of self-expression that perhaps belie these temporal qualities and/or release differential energies.