my skin is (y)our relation

when samuel morse sent the inaugural telegraph message in 1844, the first words he communicated to his partner were biblical verse:

"what hath god wrought?"

though it is not clear today whether morse was referring to himself or the christian deity, we may discern at least two outcomes that He hath wrought with the advent of electricity-based communication.

first, with electricity He hath wrought an annihilation of the difference between speaking and writing as pure forms: gesture is revealed to be the kinetic substratum that animates both. second, with electricity He hath also wrought a shift from space to time as the primary feature defining our constitution of the commons.

mi casa, su casa

attending the big game in person can be an expensive proposition today; it may also be logistically prohibitive. so where does one watch the game with friends: at the sports bar or in one's living room? or, if the question now concerns time, where does one watch the game with friends: on instant messaging (eg. skype, corporate discussion board) or on one's skin (eg. facebook profile page)?

from volume to surface phenomenon, interaction now more closely resembling tesseraction (cf. mez breeze). if the conference brings together people to the same space, then the surface of the skin has already been established and fixed, its relations mingling within. given the conference in time, on the other hand, we must continue to produce skin with every word spoken. perhaps it is fortunate we are physically numb to the process, muted as it were by the anaesthesia of telesthesia.

not that we feel nothing. the process is always tactile, stimulating: we are always in touch even when we are out of touch. though the skin of the host may be crawling, the massage of the message may be pleasurable indeed.

did your friends invite themselves over? no problem, please stay a while. mi casa, su casa, i'm the king of the casa.

_____

ought one to piss in the living room of the king? no, perhaps not — unless one is caring for the plants or treating a rattlesnake bite. but waterworks sometimes do occur: intensity may loosen the bladder or moisten the eyes; hydraulic thought may break through the dam. the king might hath a small mess on His hands.

how do we understand a gesture of hospitality in this damp zone of surface intension? a house is a skin, material, a piece of property. a house only becomes a home when it is invested by relation.

so what is defended against the tides that may ensue, whether in space or in time: the house or the relation?

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  1. sportsBabel » The Voice (and its Mingled Bodies) says:

    [...] The second tempo is provided by the multiple Eye that captures this fleshy expenditure in its becoming, both for telecast to audiences far removed from the sports stadium as well as for archival purposes and their future extractive values — from in camera to on camera. Obviously this is the tempo most apparent to the television viewer at whatever contingency is called home, even though its aim is to achieve a perfect transparency that allows for the truth of sporting copoiesis and its measureable objectives to illuminate the living room or sports bar space. [...]