Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses, p.13:
"A remarkable factor in the experience of enveloping spatiality, interiority and hapticity is the deliberate suppression of sharp, focused vision. This issue has hardly entered the theoretical discourse of architecture as architectural theorising continues to be interested in focused vision, conscious intentionality and perspectival representation. … Unconscious peripheral perception transforms retinal gestalt into spatial and bodily experiences. Peripheral vision integrates us with space, while focused vision pushes us out of the space, making us mere spectators."
sportsBabel, June 2009:
Instead of making plays, one must now embrace the challenge of making play, rescuing it from the seriousness of industrial manufacture and the factory production model. To make plays, one blocks out the noise of the crowd and visualizes the task at hand. To make play, by contrast, one embraces and engages the noise of the crowd, sensing one's self in space as an affective body, athletic and full of creative potential.
Find the points of intersection between binary, circular and linear forms. Ride the interference waves in the oscillation between signal and noise. Make play. Flow. This constitutes the tactile burden of all playmakers, regardless of their material habitat: to feel the heaviness of the body at the same moment one feels the lightness of its liquidity. To move, perform, create, liberate.
Is the body liquid?