Their Flesh

she spots him across the dance floor, or maybe he spots her
and the two move slowly, inexorably toward one another
as if magnetically drawn or electrically charged.
a copoiesis emerges
in the
shared kinesphere,
in the
matrixial borderspace.

flesh spills beyond skin as speakers pound,
hearts pound
muscles flex
sweat flows
and the bodies syncopate to the colonized mix,
lateral glides across tribal rhythms.

the bodies speak in tongues rendered
silent an eternity
pouring forever into
each pulse of the throbbing bassline.

and just like that the flow is broken
animus interruptus.

but the memory is imprinted
in the
curl of her toes,
in the
nape of her neck,
in the
quiver of her thighs,
in the
foldings of their flesh.

Playograph Intersection

Brian Holmes: "It would be nice to know more about how this kind of thing breaks down, fucks up, produces failure, infinite waste, tailspins, wrong information, bad choices and so on."

Good advice.

Playograph Intersection

In the chapter of A Thousand Plateaus: Capitalism and Schizophrenia titled "Micropolitics and Segmentarity," Deleuze and Guattari suggest that "segmentarity is inherent to all the strata composing us" (p.208). They identify three forms by which humans segment and are segmented: binary, circular and linear. "But these figures of segmentarity, the binary, circular, and linear, are bound up with one another, even cross over into each other, changing according to the point of view" (p.209).

Perhaps the figures of binary, circular and linear segmentarity can provide tentative first steps towards locating the fluxes and layers (as well as their mutability according to the point of view) at the nexus of the contemporary urban social and professional sporting cultures in an effort to understand a politics that "is simultaneously a macropolitics and a micropolitics" (p.213).

Jordan Crandall: "Rhythms (paces, rates), movements (micro, macro), and machines (social, psychic, and technical) are networked together and embroiled in processes of embodiment both private and public. They employ relay devices (RFs). These relays facilitate a 'language' based in coordination (over relation)."

Rounding the bases, producing runs. Progressively moving from first to ninth inning to declare the truth of the winner. Crossing the street in conformity with the rectilinear urban grid. Home/away, ball/strike, fair/foul, safe/out. Green light. Red light.

(Yellow light invites a moment of indecision or uncertainty.)

Locating the three different forms of segmentarity is a beginning, but if we are concerned with how the linguistic and immaterial feed back into the micropolitics of the lived everyday and its potential fascisms then perhaps we also ought to be cognizant of the points of intersection, the interference waves, and the oscillations between signal and noise that emerge between and within the binary, circular and linear.

Human players embody the Playograph. Each player receives a feed of a baseball game to their cellphone. As play unfolds, players move from base to base (intersection corner to intersection corner) as if propelled electromagnetically by the Playograph system.

But there is interference or noise coming from the intersecting system of traffic lights, which themselves are codes that give permission to move.

Critical Art Ensemble: "The privileged realm of electronic space controls the physical logistics of manufacture, since the release of raw materials and manufactured goods requires electronic consent and direction."

Which semiotic system does the player obey?