Keeping Pace With Sight

For Benjamin, lithography was a visual technique of representation that allowed for an acceleration — for the visual depiction of daily life to keep pace with printing. Similarly, he saw photography (and later cinema) as a subsequent acceleration that allowed visual depiction to keep pace with speech.

NFL Sunday Ticket

Following Benjamin, we might suggest that the multiplex television viewing experience (in concert with its accompanying stream of meta-data), such as that offered with DirecTV's NFL Sunday Ticket package, allows the visual depiction of sporting life to keep pace in real-time with flashpoint events at distributed geographical locations. In other words, for visual depiction to keep pace with sight.

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2 responses to Keeping Pace With Sight

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  1. sportsBabel » The Politics of Memory says:

    [...] sensations it offers, through bungee jumping, sky surfing, BASE jumping, and so on, as though the accelerated perspective had already won out over the passive perspective of the perspectivists. Suicidal [...]

  2. sportsBabel » Pixel to Pellicule to Projection says:

    [...] That the sporting event actually exists is the first layer in the carefully constructed apparatus of truth that is contemporary televised sport. This truth possesses a digital representation, inscription, transmission and storage, but what it wants is its legitimation, which it finds in the flesh relation of those analog bodies located at either end of the communication channel and its endless loop (cf. Massumi, "On the Superiority of the Analog"). It is the spectator at the stadium who provides this fleshy legitimation to the televiewer at home, a last gasp for real space to roar in a relation dominated by real time. [...]

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