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	<title>Comments on: The Control Room</title>
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	<description>disconnect in the sportocracy</description>
	<pubDate>Mon, 21 May 2012 18:08:29 +0000</pubDate>
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		<title>By: sportsBabel &#187; Wolfgang Schirmacher: In Memoriam di Imagum</title>
		<link>http://www.sportsbabel.net/2006/11/the-control-room.htm/comment-page-1#comment-236194</link>
		<dc:creator>sportsBabel &#187; Wolfgang Schirmacher: In Memoriam di Imagum</dc:creator>
		<pubDate>Sat, 01 Jan 2011 20:52:54 +0000</pubDate>
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		<description>[...] Nominally, a grammar is a set of rules for communicating a particular language from one individual to another. These generally concern an orthography, or those specific ways in which the language is communicated in written form. Orthography to orthodoxy, inscribed to the archive, the prescribed boundaries for our collective playing at language and negotiating an always-emergent common. Think of Truman captured in a studio under the watchful eye of the proliferating cameras. [...]</description>
		<content:encoded><![CDATA[<p>[...] Nominally, a grammar is a set of rules for communicating a particular language from one individual to another. These generally concern an orthography, or those specific ways in which the language is communicated in written form. Orthography to orthodoxy, inscribed to the archive, the prescribed boundaries for our collective playing at language and negotiating an always-emergent common. Think of Truman captured in a studio under the watchful eye of the proliferating cameras. [...]</p>
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		<title>By: sportsBabel &#187; Pixel to Pellicule to Projection</title>
		<link>http://www.sportsbabel.net/2006/11/the-control-room.htm/comment-page-1#comment-233130</link>
		<dc:creator>sportsBabel &#187; Pixel to Pellicule to Projection</dc:creator>
		<pubDate>Sun, 21 Mar 2010 14:48:25 +0000</pubDate>
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		<description>[...] of both the camera eye and the television producer&#39;s eye. This functions as either a sort of real-time Cubism in which multiple simultaneous viewpoints are filtered to the singular perspective of the final [...]</description>
		<content:encoded><![CDATA[<p>[...] of both the camera eye and the television producer&#39;s eye. This functions as either a sort of real-time Cubism in which multiple simultaneous viewpoints are filtered to the singular perspective of the final [...]</p>
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		<title>By: sportsBabel &#187; time, perception, soma</title>
		<link>http://www.sportsbabel.net/2006/11/the-control-room.htm/comment-page-1#comment-232958</link>
		<dc:creator>sportsBabel &#187; time, perception, soma</dc:creator>
		<pubDate>Thu, 28 Jan 2010 06:30:35 +0000</pubDate>
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		<description>[...] said, these same fans might in fact have a better intuitive sense of spectacular time.)    Date: January 28, 02010Feedback: 0 comments &#124; Permalink: url   Tags: ESPN &#124; architecture+space [...]</description>
		<content:encoded><![CDATA[<p>[...] said, these same fans might in fact have a better intuitive sense of spectacular time.)    Date: January 28, 02010Feedback: 0 comments | Permalink: url   Tags: ESPN | architecture+space [...]</p>
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