Excerpts from America: The Control Screen

Today, no staging of bodies, no performance can be without its control screen. This is not there to see or reflect those taking part, with the distance and magic of the mirror. No, it is there as an instantaneous, depthless refraction. Video, everywhere, serves only this end: it is a screen of ecstatic refraction. As such, it has nothing of the traditional image or scene, or of traditional theatricality, and its purpose is not to present action or allow self-contemplation; its goal is to be hooked up to itself. Without this circular hook-up, without this brief, instantaneous network that a brain, an object, an event, or a discourse create by being hooked up to themselves, without this perpetual video, nothing has any meaning today. The mirror phase has given way to the video phase.

– Jean Baudrillard

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